{"id":3146,"date":"2014-06-14T03:22:32","date_gmt":"2014-06-14T03:22:32","guid":{"rendered":"https:\/\/raulmourao.com\/blog\/?p=3146"},"modified":"2014-06-14T03:22:32","modified_gmt":"2014-06-14T03:22:32","slug":"under-the-same-sun-art-from-latin-america-today","status":"publish","type":"post","link":"https:\/\/www.archive.raulmourao.com\/blog\/?p=3146","title":{"rendered":"Under the Same Sun: Art from Latin America Today"},"content":{"rendered":"<p><a href=\"http:\/\/www.guggenheim.org\/new-york\/exhibitions\/on-view\/under-the-same-sun-art-from-latin-america-today\">l\u00e1 no site Gugghenheim<\/a><\/p>\n<p><a class=\"thickbox hoverable hovering\" style=\"color: #c00030;\" title=\"Wilfredo Prieto, &lt;em&gt;Walk&lt;\/em&gt;, 2000. Plant, soil, chromogenic print, and wheelbarrow, overall dimensions variable. Solomon R. Guggenheim Museum, New York. Courtesy the artist and NoguerasBlanchard, Barcelona\/Madrid\" href=\"http:\/\/media.guggenheim.org\/content\/exhibitions\/2014\/ex_map_underthesamesun_prieto_1024.jpg\"><img loading=\"lazy\" title=\"title\" src=\"http:\/\/media.guggenheim.org\/content\/exhibitions\/2014\/ex_map_underthesamesun_prieto_490.jpg\" alt=\"alt\" width=\"490\" height=\"235\" \/><\/a><\/p>\n<div class=\"exh-dateline\" style=\"font-weight: bold;\">June 13\u2013October 1, 2014<\/div>\n<p><em>Under the Same Sun: Art from Latin America Today<\/em>\u00a0reconsiders the state of contemporary art in Latin America, investigating the creative responses of artists to complex, shared realities that have been influenced by colonial and modern histories, repressive governments, economic crises, and social inequality, as well as by concurrent periods of regional economic wealth, development, and progress. The exhibition presents contemporary artistic responses to the past and present that are inscribed within this highly nuanced situation, exploring the assertions of alternative futures.<\/p>\n<p>Organized by\u00a0<a style=\"color: #c00030;\" href=\"http:\/\/www.guggenheim.org\/new-york\/about\/staff-profiles\/curators\/pablo-leon-de-la-barra\">Pablo Le\u00f3n de la Barra<\/a>, Guggenheim UBS MAP Curator, Latin America,\u00a0<em>Under the Same Sun<\/em>\u00a0features works by 40 artists and collaborative duos from 15 countries. The artworks are organized around five themes: \u201cConceptualism and its Legacies,\u201d \u201cTropicologies,\u201d \u201cPolitical Activism,\u201d \u201cModernism and its Failures,\u201d and \u201cParticipation\/Emancipation.\u201d<\/p>\n<p><em>Under the Same Sun: Art from Latin America Today<\/em>\u00a0is the second of three exhibitions that form part of the\u00a0<a style=\"color: #c00030;\" href=\"http:\/\/www.guggenheim.org\/map\">Guggenheim UBS MAP Global Art Initiative<\/a>. Following its presentation in New York, the exhibition will travel to two additional international venues. The artworks in the exhibition, along with others acquired as part of the initiative, will become part of the Guggenheim\u2019s permanent collection under the auspices of the Guggenheim UBS MAP Purchase Fund.<\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:100px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/www.archive.raulmourao.com\/blog\/?p=3146\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"true\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>l\u00e1 no site Gugghenheim June 13\u2013October 1, 2014 Under the Same Sun: Art from Latin America Today\u00a0reconsiders the state of contemporary art in Latin America, investigating the creative responses of artists to complex, shared realities that have been influenced by colonial and modern histories, repressive governments, economic crises, and social inequality, as well as by &hellip;<\/p>\n<p><a href=\"https:\/\/www.archive.raulmourao.com\/blog\/?p=3146\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/3146"}],"collection":[{"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3146"}],"version-history":[{"count":1,"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/3146\/revisions"}],"predecessor-version":[{"id":3147,"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/3146\/revisions\/3147"}],"wp:attachment":[{"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3146"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3146"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}