{"id":246,"date":"2009-04-08T15:00:00","date_gmt":"2009-04-08T15:00:00","guid":{"rendered":"https:\/\/raulmourao.com\/blog\/?p=246"},"modified":"2009-04-08T15:00:00","modified_gmt":"2009-04-08T15:00:00","slug":"altermodern","status":"publish","type":"post","link":"https:\/\/www.archive.raulmourao.com\/blog\/?p=246","title":{"rendered":"Altermodern"},"content":{"rendered":"<p>Em visita ontem ao laborat\u00f3rio de id\u00e9ias e projetos do pensador <a href=\"http:\/\/objetosimobjetonao.blogspot.com\/\">Frederico Coelho<\/a> ele me apresentou na <a href=\"http:\/\/www.tate.org.uk\/britain\/exhibitions\/altermodern\/\">p\u00e1gina da Tate<\/a> o manifesto abaixo. Tem muita semelhan\u00e7a com coisas que venho pensando e que em parte coloquei na entrevista que o doutor Felipe Escovino fez para o livro Arquivo Contempor\u00e2neo que em breve estar\u00e1 nas livrarias pela Editora 7 Letras.<\/p>\n<p><a onblur=\"try {parent.deselectBloggerImageGracefully();} catch(e) {}\" href=\"http:\/\/3.bp.blogspot.com\/_YCtMPf2Ld4Q\/Sdy97yrhjUI\/AAAAAAAABug\/KmTDdLoGeLg\/s1600-h\/alter_modern.png\"><img style=\"cursor:pointer; cursor:hand;width: 400px; height: 381px;\" src=\"http:\/\/3.bp.blogspot.com\/_YCtMPf2Ld4Q\/Sdy97yrhjUI\/AAAAAAAABug\/KmTDdLoGeLg\/s400\/alter_modern.png\" border=\"0\" alt=\"\"id=\"BLOGGER_PHOTO_ID_5322337694559341890\" \/><\/a><\/p>\n<p>Altermodern<br \/>Manifesto<br \/>POSTMODERNISM IS DEAD<\/p>\n<p>A new modernity is emerging, reconfigured to an age of globalisation \u2013 understood in its economic, political and cultural aspects: an altermodern culture<\/p>\n<p>Increased communication, travel and migration are affecting the way we live<\/p>\n<p>Our daily lives consist of journeys in a chaotic and teeming universe<\/p>\n<p>Multiculturalism and identity is being overtaken by creolisation: Artists are now starting from a globalised state of culture<\/p>\n<p>This new universalism is based on translations, subtitling and generalised dubbing<\/p>\n<p>Today\u2019s art explores the bonds that text and image, time and space, weave between themselves<\/p>\n<p>Artists are responding to a new globalised perception. They traverse a cultural landscape saturated with signs and create new pathways between multiple formats of expression and communication.<\/p>\n<p>The Tate Triennial 2009 at Tate Britain presents a collective discussion around this premise that postmodernism is coming to an end, and we are experiencing the emergence of a global altermodernity.<\/p>\n<p>Nicolas Bourriaud<br \/>Altermodern \u2013 Tate Triennial 2009<br \/>at Tate Britain<br \/>4 February \u2013 26 April 2009<\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:100px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/www.archive.raulmourao.com\/blog\/?p=246\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"true\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>Em visita ontem ao laborat\u00f3rio de id\u00e9ias e projetos do pensador Frederico Coelho ele me apresentou na p\u00e1gina da Tate o manifesto abaixo. Tem muita semelhan\u00e7a com coisas que venho pensando e que em parte coloquei na entrevista que o doutor Felipe Escovino fez para o livro Arquivo Contempor\u00e2neo que em breve estar\u00e1 nas livrarias &hellip;<\/p>\n<p><a href=\"https:\/\/www.archive.raulmourao.com\/blog\/?p=246\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/246"}],"collection":[{"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=246"}],"version-history":[{"count":0,"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/246\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.archive.raulmourao.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}