{"id":2216,"date":"2013-04-29T20:45:14","date_gmt":"2013-04-29T20:45:14","guid":{"rendered":"https:\/\/raulmourao.com\/blog\/?p=2216"},"modified":"2013-04-29T21:05:54","modified_gmt":"2013-04-29T21:05:54","slug":"open-work-in-latin-america-new-york-beyond-hunter","status":"publish","type":"post","link":"https:\/\/www.archive.raulmourao.com\/blog\/?p=2216","title":{"rendered":"Open Work in Latin America, New York & Beyond @ Hunter"},"content":{"rendered":"

Conceptualism Reconsidered, 1967\u20131978<\/strong><\/p>\n

February 8 \u2013 May 4, 2013<\/p>\n

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THE BERTHA AND KARL LEUBSDORF ART GALLERY \/\u00a0CUNY Hunter College<\/p>\n

West Building at the southwest corner of 68th Street\u00a0and Lexington Avenue, New York, NY<\/p>\n

Gallery Hours: Tuesday through Saturday, 1-6pm<\/p>\n

212.772.4991 \/\u00a0www.hunter.cuny.edu\/art\/galleries<\/a><\/p>\n

\"Dias_freedomterritory\"<\/a>

Antonio Dias (Brazil, born 1944, lives in Rio de Janeiro, Cologne, and Milan). Do It Yourself: Freedom Territory, 1968. Adhesive vinyl on floor; overall dimensions variable. Daros Latinamerica Collection, Z\u00fcrich<\/p><\/div>\n

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Eco\u2019s concept of the Open Work\u2014an artwork that could not be completed without the viewer\u2019s participation\u2014was highly useful for Latin American conceptualists from the late 1960s through the 1970s because it named the collaborative and performative emphasis of their artworks. Open Work in Latin America, New York & Beyond: Conceptualism Reconsidered, 1967\u20131978 displays the capacious nature of conceptualism by exhibiting 91 books, video, sound, prints, drawings, installations and photography by 36 artists working in Buenos Aires, Rio de Janeiro, New York, London, Los Angeles, Montevideo and Caracas. Although not a historical survey, the show presents a collective desire to use the body to destabilize systems of representation shared by artists from Latin America working in conceptual modes from 1967 to 1978.<\/p>\n

Open Work in Latin America, New York and Beyond includes some ninety works that have been generously lent to Hunter College from the Colecci\u00f3n Patricia Phelps de Cisneros, The Museum of Modern Art, The Metropolitan Museum of Art, Henrique Faria Fine Art, Document Art Gallery, and Alexander Gray Associates.<\/p>\n

Hunter College is deeply grateful to the following donors, whose generous support has made this exhibition possible, Colecci\u00f3n Patricia Phelps de Cisneros and The Bershad Exhibition Fund.<\/p>\n

The exhibition features works by:<\/p>\n

Diego Barboza \/\u00a0Artur Barrio \/\u00a0Luis Benedit \/\u00a0Mel Bochner \/\u00a0Donald Burgy \/\u00a0Luis Camnitzer \/\u00a0Sigfredo Chac\u00f3n \/\u00a0Eduardo Costa \/\u00a0Jaime Davidovich \/\u00a0Iole de Freitas \/\u00a0Antonio Dias \/\u00a0Juan Downey \/\u00a0Felipe Ehrenberg \/\u00a0Rafael Ferrer \/\u00a0Anna Bella Geiger \/\u00a0Rubens Gerchman \/\u00a0V\u00edctor Grippo \/\u00a0Leandro Katz \/\u00a0Joseph Kosuth \/\u00a0David Lamelas \/\u00a0Sol LeWitt \/\u00a0Lucy Lippard \/\u00a0Cildo Meireles \/\u00a0Ana Mendieta \/\u00a0Marta Minuj\u00edn \/\u00a0H\u00e9lio Oiticica \/\u00a0Clemente Pad\u00edn \/\u00a0Claudio Perna \/\u00a0John Perreault \/\u00a0Liliana Porter \/\u00a0Alejandro Puente \/\u00a0Carlos Rojas \/\u00a0Ed Ruscha \/\u00a0Bernardo Salcedo \/\u00a0Lawrence Weiner \/\u00a0Horacio Zabala<\/p>\n

t\u00e1 l\u00e1 no site deles.<\/a><\/p>\n