{"id":2039,"date":"2013-03-21T14:52:02","date_gmt":"2013-03-21T14:52:02","guid":{"rendered":"https:\/\/raulmourao.com\/blog\/?p=2039"},"modified":"2013-03-21T14:52:02","modified_gmt":"2013-03-21T14:52:02","slug":"abstraction-may-be-modernisms-greatest-innovation","status":"publish","type":"post","link":"https:\/\/www.archive.raulmourao.com\/blog\/?p=2039","title":{"rendered":"Abstraction may be modernism’s greatest innovation…"},"content":{"rendered":"

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In 1912, in several European cities, a handful of artists\u2014Vasily Kandinsky, Frantisek Kupka, Francis Picabia, and Robert Delaunay\u2014presented the first abstract pictures to the public. Inventing Abstraction, 1910\u20131925 celebrates the centennial of this bold new type of artwork, tracing the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. The exhibition brings together many of the most influential works in abstraction\u2019s early history and covers a wide range of artistic production, including paintings, drawings, books, sculptures, films, photographs, sound poems, atonal music, and non-narrative dance, to draw a cross-media portrait of these watershed years.<\/p>\n

Organized by Leah Dickerman, Curator, with Masha Chlenova, Curatorial Assistant, Department of Painting and Sculpture.<\/em><\/p>\n

l\u00e1 no www do MoMA tem um site sobre a exposi\u00e7\u00e3o cheio de videos etc, confere l\u00e1.<\/a><\/p>\n

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